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Test Drive: Cinevate Brevis35, Part 1

Like most shooters, I’ve encountered many situations where I wished the 3 1/3in. CCDs on my best Canon and Sony camcorders could produce sufficiently shallow depth of field to allow me to blur out irrelevant sections of the frame. Perhaps it’s the ability to blur out the background in an interview or training video, which hides lots of flaws in the back wall (chipped paint, coffee stains) and produces video that compresses much more effectively for DVD or streaming. Or maybe it’s an artistic element to the occasional wedding that I shoot; bride and groom ...

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