Coming to the Aid of a Sinking Ship

Published Tuesday, July 01, 1997

The Titanic was eminently known as much for its intricate opulence as for its extreme detail. In the James Cameron-directed, Paramount Pictures megafilm Titanic, the recreation of the doomed vessel falls squarely on the shoulders of Los Angeles-based Digital Domain, a facility familiar with big-budget studio projects. However, just as important to the film's production and post schedules are the smaller houses working to help complete the massive undertaking. One facility is Vision Crew Unlimited, L.A., whose motion control, miniature, and model work on other DD projects like Dante's Peak and The Fifth Element have helped them become ...

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