Desktop DV

Published Monday, August 01, 2005

When Esteban Mora, postproduction supervisor at Citrica Studios in Miami, went into post for what be came an award-winning, DV short (El Gol), he had virtually no budget to make the imagery presentable for the festival circuit. He adopted an unusual methodology — doing all effects work and compositing in Autodesk's Combustion software, but also using it to color grade the entire 30-minute film. Mora's postproduction pipeline consisted of just three desktop tools: Apple Final Cut Pro (v. 4.5) to edit the piece, Autodesk Combustion (v. 4), and Autodesk's Cleaner XL to encode DV footage to different formats. ...

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