Riding the Digital Range

Published Monday, September 01, 2003

Costner and Muro on Digital Intermediate Kevin Costner wasn't exactly itching to do a digital intermediate on his new film — Touchstone Pictures' Open Range — when the project got underway last year. He didn't even know, or care, what exactly a digital intermediate was. However, as the film's producer/director and star working with a modest budget for a studio film (just over $20 million), Costner did care about how to best use visual elements to tell the story about a pair of aging cowpokes and their search for frontier justice. His goal: “To use angles, colors, wide ...

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