HD Assist for Scorsese

Published Tuesday, September 26, 2006

Martin Scorsese and his longtime cinematographer, Michael Ballhaus, ASC, shot Scorsese’s new picture, The Departed, on film, as they always have, and yet, high-definition technology played a centrol role in pulling the entire project together. Spearheaded by a workflow designed by visual effects supervisor Rob Legato, the project used HD dailies for the second straight Scorsese movie (after 2004’s The Aviator), and for the first time in Ballhaus’ career. But the DI on the project, handled by Technicolor Digital Intermediates (TDI), also used HD technology, as did much of the visual effects workflow. Scorsese, during an exclusive interview ...

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