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Miami Vice in HD

Oscar-winning cinematographer Dion Beebe admits his return to digital cinematography for director Michael Mann’s upcoming feature, Miami Vice, was a long, grueling affair (the globe-hopping production was stopped several times by multiple tropical storms and hurricanes, for instance). But as he prepared to enter the digital intermediate phase on the project, Beebe insisted he was extremely pleased with both the look of the movie, and how his team was able to improve its methodology for using Thomson Viper FilmStream camera systems from its initial approach on Mann’s Collateral in 2004. As with Collateral, filmmakers incorporated multiple ...

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