Being There

Published Monday, September 01, 1997

The term "virtual sets" conjurs images of actors shimmering just above fake-looking parquet floors, or aliasing in front of blocks of color that are as three-dimensional as an Indian Mogul painting. The best virtual set design either conceals its virtual origin (the set for the Discovery Channel's Discovery News looks mostly real) or embraces it, adopting low polygon count as a style (witness the Sci-Fi channels' sf Vortex). Clever designers exploit what virtual sets do best-they make tiny spaces seem vast, or they send hosts on real-time, simulated journeys, down into the heart of a Hewlett Packard chip ...

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