Building Collateral

Published Sunday, August 01, 2004

Sidebars Digital Intermediate Dave Canning recalls being extremely up front with director Michael Mann when the director first floated the notion of using the Grass Valley Viper FilmStream camera for his new DreamWorks film, Collateral. (For a look at an early use of Viper cameras on a smaller feature film production — Red Riding Hood — see “Once Upon a Time in Sylmar,” October 2003.) “Michael had a specific creative look he ...

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