Holy Foley, Batman!

Published Friday, August 01, 1997

Sound Design Shapes Impact of Latest Action Episode Director Joel Schumacher designed Batman & Robin as a "living comic book." The film, he says, "is intended to be a larger-than-life Pop Opera. And sound contributes hugely to creating and maintaining that exaggerated feeling of moving beyond reality." Composer Elliot Goldenthal provided a driving score made up from baroque and pop elements, while the complex task of sound editorial was handled by Burbank-based Soundstorm, a firm that also worked with Schumacher and producer Peter Macgregor-Scott on the previous offering, Batman Forever, released in 1995. Handling co-supervising sound editor duties ...

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