What Sounds May Come: Soundeluxe Hears Heaven and Hell

Published Sunday, November 01, 1998

Although most technical acclaim for Vincent Ward's What Dreams May Come lauds the film's stunning visual depiction of heaven and hell, the sound design that accompanies those visuals was every bit as delicate and painstaking. In fact, it took sound designer Peter Michael Sullivan at Soundeluxe Vine Street Studios, Los Angeles, about nine months to design and mix all the sounds featured in the Polygram release. The key challenge, according to David Kneupper, the film's supervising sound editor and president of Soundeluxe, was the fact that Ward wanted the film to depict a personal view of the afterlife ...

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