Fade to Black: Jim Morris, Producer

Published Tuesday, July 01, 2008

Producer Jim Morris vividly remembers his turning point during production of WALL•E, the ninth film — and ninth hit — of the Pixar/Disney partnership. Although WALL•E was his first foray into CG features (after nearly two decades at Industrial Light & Magic [ILM]), Morris recalls knowing something looked wrong in the dailies he was watching one day. “There was a pan shot that didn't look right, so I asked, ‘Is that a nodal shot?’ I was told, ‘Of course. All our shots are nodal.’” Morris countered, ...

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