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The Sundance Beat

If you know Joe Beirne, you've heard him worry out loud. Not in a panicky way — he just waits to be sure everything has worked before he starts taking compliments. As we huddled into a corner by the door of the NY Lounge on Main Street with Padre Nuestro DP Igor Martinovic, the last thing he was thinking about was the Grand Jury Prize (Padre Nuestro won six days later). He was, as a matter of fact, thinking about projector calibration. One of the most nerve-wracking things about Sundance is that, on indie schedules, some filmmakers don't ...

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