Eight Hours for Hollywood

Published Tuesday, September 01, 1998

After veteran line producer Robert Schneider budgeted a $40 million below-the-line studio feature film based on the usual 12-hour shooting day, he decided to try an experiment. He re-budgeted the same film based on an eight-hour day. He was challenging the long-held assumption that movie crews must work a 12-hour minimum day to counter the high daily costs of stage, location, and equipment rentals. He extended the 17-week shooting schedule to 20 weeks and refigured the budget based on an eight-hour camera day with one-hour prep time and one-hour wrap time. The new budget came in one million ...

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